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wpid-time-spent-online-600x429-2015-02-19-11-07.png Heterochronia Hetero – different or other, chronos – time. Within the framework of Altermodern, it describes artists’ work which cannot be easily anchored to a specific time; which asks us to question what is contemporary. Without nostalgia, artists trace lines and connections through time as well as space. It is not the modernist idea of time advancing in a linear fashion, nor the postmodern time advancing in loops, but a chaining or clustering together of signs from contemporary and historical periods which allows an exploration of what is now.’It is significant that a number of today’s artists operate in a space-time characterised by this “delay”, playing with the anachronistic, with multi-temporality or time-lag. – Nicolas Bourriaud on ‘Heterochronia’

Nows “If you try to get your hands on time, it’s always slipping through your fingers,” says Barbour. “People are sure time is there, but they can’t get hold of it. My feeling is that they can’t get hold of it because it isn’t there at all.” “As we live, we seem to move through a succession of Nows,” says Barbour, “and the question is, what are they?” For Barbour each Now is an arrangement of everything in the universe. “We have the strong impression that things have definite positions relative to each other. I aim to abstract away everything we cannot see (directly or indirectly) and simply keep this idea of many different things coexisting at once. There are simply the Nows, nothing more, nothing less.”

Folding For now, the Great Unfolding is about the promise of the new systems we can step into as we move beyond the polarization of the old systems that have proven to be useful but limited. The future is already here, it simply hasn’t scaled nor been mapped yet. The edges move toward each other as the center collapses. It folds in upon itself. It unfolds a new era.

Timeline “atemporality”–the loss of a single authoritative source for the narratives with which we identify and define the passage of time, and the desituation of our narratives in what we perceive of as linear time. Time moves in one direction, memory in another. We are that strange species that constructs artifacts intended to counter the natural flow of forgetting.

Constructed time This notion of history as geographical and “constituted of multiple temporalities” is similar to the idea of Atemporality put forth by Bruce Sterling. He defines the difference between previous notions of history and our current one as a result of the intrinsic capabilities of the dominant medium of our day. The contrast between moving through a history book understanding the narrative as a linear process as opposed to the result of attempting to search online for an aspect of a historical narrative is a important one.

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